‘Blue’ Launched LeAnn Rimes to the Planet 25 Years In the past

Listening to nation new music was a no-no amongst my social set. Southside Chicago in the mid-1990s was dominated by hip-hop and the vestiges of grunge that peaked in the decade’s center. To maintain up, I listened to whatever was actively playing on pop, top 40, or city radio (which intended that I was able to share my enthusiasm for “California Love” by 2Pac, “Tha Crossroads” by Bone Thugs-N-Harmony, and “C’mon N’ Journey It (The Educate)” by Quad Metropolis DJ’s). If somebody confessed adore of country songs, they’d suitably be shamed as an outsider.

State audio was noticed as whiny hick music about pickup trucks, lifeless canines, and the South. At dwelling, while, in the privateness of my bed room, I would place on my headphones and pop Dolly Parton, Tammy Wynette, or Loretta Lynn in my Discman and pay attention to those sterling, amazing, and stunning gals sing music about heartache, childhood, poverty, and feminism. One of my major musical heroes was Patsy Cline (a like affair I inherited from my mother, who was obsessed with Patsy). I liked her large voice—an aggrieved growth that would blast out of my low cost $10 headphones.

Unsurprisingly, when I to start with read LeAnn Rimes’ address of Invoice Mack’s “Blue” (which was also the opening title observe from her 1996 debut LP), I considered that I was listening to the reincarnation of Patsy Cline. Introduced two days just after my 15th birthday, I initial listened to the tune on the radio

How ‘Blue’ Made LeAnn Rimes A Global Pop Star

Just before the 2010s, streaming services like Spotify, Apple Music and Pandora picked up where Napster rose and fell in the late ’90s, driving the music industry toward a singles-driven market. Beyoncé’s 4 album showed she was clearly not having it. In her 2013 HBO documentary, Life Is But A Dream, she targeted the then-burgeoning trend.

“It’s a tough time for the music industry. I’m an artist that tours, I’m an artist that makes albums,” she explained in an exasperated tone. “People don’t make albums anymore, they just try to sell a bunch of quick singles and they burn out and they put out a new one. People don’t even listen to a body of work anymore.”

Before hip-hop dominated streaming in 2017, EDM and pop wore listeners out on sticky dance floors. Everyone wanted a piece of the mainstream radio pie, with songs like Usher’s “OMG,” Lady Gaga’s “Poker Face,” Rihanna’s “Only Girl (In The World),” Jay-Z’s and Alicia Keys’ “Empire State of Mind,” and the Black Eyed Peas’ “Boom Boom Pow” ruling Billboard‘s Top 40 chart before and during the new decade.

But rewind just a few years before the release of Beyoncé’s 4, a time when she, too, was caught up in the same sonic whirlwind she seemingly resented. In 2008, Queen Bey was at the height of her career thanks to her mammoth third solo album I Am…Sasha Fierce.

The Creative Rebirth Of Beyoncé On ‘4’

She scored five GRAMMY wins at