A while ago L’Oreal released a collection of 12 nude shade Les Nus, which they say have “an intense, smooth and creamy formula”. You may remember that a year two before they released matte nude lipsticks (Color Riche Matte Free The Nudes), one of which I also own and it’s a great quality lipstick. I saw this shade on one of the few blogs that still do swatches and wanted it immediately, since it looked like the perfect nude and it’s has indeed become my staple.
Texture & finish: Formula is high quality, it feels so well-made and has great pigmentation. It’s creamy, comfortable and smooth, so far it’s be best non-matte lipstick I’ve tried. Finish is satin-creamy, so not very shiny, but far from matte and this formula suits dry lips as well.
Shade: 173 Nu Impertinent is an excellent my-lip-but-better shade for my skin tone and I just love it because it looks so natural and defines the lips. It’s about a half a shade lighter than my favourite lip liner Essence’s Big Proposal that I’ve been using for shaping my lips for a few years now (shade is discontinued, but I stocked up before it was gone) and once I searched the entire drugstore, swatching everything to find something similar in a lipstick form – turns out all I had to do it give it a year or two and I’ll find what I want.
PARIS – The golden age of Arab cinema and tunes of the 20th century is becoming revisited via its woman stars — ladies who grew to become potent symbols of feminism, Arab independence and identity.
By way of film and new music clips, posters and mementos, a Divas exhibit in Paris traces the Arab world’s feminine inventive scene from the 1920s to the ’70s. It incorporates singers like Egypt’s legendary Oum Kalthoum, and Fayrouz from Lebanon. Actresses like Souad Hosni and Hind Rostom. Also, dancers, producers and directors. Those people stars, and the times they lived in, embodied a lot a lot more than artwork.
“Women of all ages in the Arabic planet fought to are living their lifestyle, fought to attain a lot more rights and it was a woman fight — girls for girls,” stated Elodie Bouffard, co-curator of the exhibit at the Arab Entire world Institute.
“This exhibition is just to say, ‘At this time, this field was very sturdy and was an industry where girls had their put.'”
The exhibit operates by way of September 26 at the Arab Globe Institute in Paris.
Few stars occupied these types of a large area — or remaining this sort of a significant gap — as Egypt’s Oum Kalthoum. She stays arguably the Arab world’s best singer, whose albums bought by the tens of millions. She
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